EAM

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In the midst of Trespassing

(2009)  Violin, Percussion and Electronics

in_the_midst_of_trespassing
In the midst.of Trespassing was composed for Trio Trespassing with financial support from the Swedish Arts Council. It is based on recordings and improvisations from the trio and was premiered on tour in Sweden November 2009.
In the midst of Trespassing

Close Encounter

(2008)  Laporte-bol and Electronics

close_encounter
Close Encounter was commissioned and will be premiered by Jean-François Laporte for his invented instruments and live electronics. It will be premiered at Montreal New Music Festival 20/2 – 2009. Released on CD by Totem Contemporain in 2013.

Low Impact

(2008)  Recorder, Percussion and Electronics

low_impact
Low Impact for percussion, doublebass recorder and electronics was composed for Anna Petrini and Mika Takehara who premiered the piece at Tokyo City Opera.

The Dangers of Trespassing

(2006)  EAM

dangers_of_trespassing
The Dangers of Trespassing was commissioned by Mairie de Paris for the opening of their big cultural centre LeCentQuatre 104. It is based on recordings from the trio Trespassing (Niklas Brommare – percussion, Daniel Frankel – Violin, Jesper Nordin – electronics). You can hear the piece at their website www.104.fr
The Dangers of Trespassing

Ingen får tro att allt är någons fel

(2005)  Radiophonic piece

ingen_far_tro
Ingen får tro att allt är någons fel was commissioned by the Swedish Radio and was composed together with Finnish author Märta Tikkanen. It has been diffused at several festivals and concerts in Sweden as well as released on the portrait-cd ”Residues” by SR Records in 2006.
Ingen får tro att allt är någons fel

Cri du berger

(2004)  Cello and Live Electronics

cri_du_berger
Cri du berger was commissioned and premiered by Benjamin Carat who has then performed it many times in Europe and North America. It has also been performed by several other cellists around the world. The piece also exists in a version for cello, choir and live electronics that has been performed in Sweden and on tour in France. Score is available at the Swedish Music Information Centre
Cri du berger

Vintage

(2003)  Percussion and Live Electronics

vintage
Vintage was commissioned by the Swedish Radio for Niklas Brommare who premiered the piece at IRCAM in Paris. The piece has later been performed many times in Europe and North America. It is recorded on SR Records portrait CD “Residues”.
Vintage

Inevitability

(2003)  EAM

inevitability
Inevitability is a shortened version of the sound of inevitability, for electronics only. It exist in two or four channels.

the sound of inevitability

(2002)  Cello, Bass Recorder & Electronics

the_sound_of_inevitability
the sound of inevitability was commissioned by Stichting Ton Bruynel as a prize for winning the first ever Ton Bruynel prize with the piece calm like a bomb. It was premiered by Frances-Marie Uitti and Jorge Isaac at Paradiso during the Gaudeamus festival 2002 and has later been performed in Holland, Denmark and Sweden by different musicians. Score is available at the Swedish Music Information Centre
the sound of inevitability

calm like a bomb

(2000)  Violin and Electronics

calm_like_a_bomb
calm like a bomb was composed for violinist Daniel Frankel and have since it’s premiere been performed over fifty times around the world by more than thirty different violinists. calm like a bomb is published by Edition Suecia and is released on several cd’s, including the portrait-cd ”Residues” by SR Records 2006. calm like a bomb is published by Edition Suecia
calm like a bomb

El pajaro con la quijada de burro

(2009)  Violin, Viola and Electronics or 2 Alto Saxophones and Electronics

inevitability
El pajaro con la quijada de burro exists in two versions – one for violin, viola and electronics, the other for soprano and alto saxophones and electronics El pajaro con la quijada de burro is published by Pizzicato Verlag.
El pajaro con la quijada de burro

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NEWS

Jesper Nordin won the 6:th Brandenburg Biennale orchestral competition!

Jesper Nordin won Swedens largest composition prize for chamber music – Järnåkerstipendiet!
Read more (in Swedish)

See an excerpt from the jam session at the Stockholm Concert house with members from Meshuggah here

Hear the Gothenburg Symphony Orchestra and Kent Nagano perform “Åkallan”. GSO Play

REVIEWS

[Ärr] releases into a bursting rhythmic scream that has seldom been heard in classical music. The response from the audience was univocal. A great triumph for Jesper Nordin in his home town.
/Martin Nyström, DN

…forceful, rhythmic and explosive with clear roots in rock music. A future classic?
/Ulf Stenberg, Tidningen Kulturen

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